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Birkenhead, North West England I'm a trans male to female Looking for a man for company and more I like drinks rock pizza fashion Liamrxx, 23 years. Birkenhead, North West England. Colin, 31 years. Owen discovered his poetic vocation in about [6] during a holiday spent in Cheshire. He was raised as an Anglican of the evangelical type, and in his youth was a devout believer, in part thanks to his strong relationship with his mother, which lasted throughout his life.

His early influences included the Bible and the Romantic poets , particularly John Keats.

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Owen's last two years of formal education saw him as a pupil-teacher at the Wyle Cop school in Shrewsbury. In return for free lodging, and some tuition for the entrance exam this has been questioned [ citation needed ] Owen worked as lay assistant to the Vicar of Dunsden near Reading , [9] living in the vicarage from September to February During this time he attended classes at University College, Reading now the University of Reading , in botany and later, at the urging of the head of the English Department, took free lessons in Old English.

His time spent at Dunsden parish led him to disillusionment with the Church, both in its ceremony and its failure to provide aid for those in need. From he worked as a private tutor teaching English and French at the Berlitz School of Languages in Bordeaux , France , and later with a family. There he met the older French poet Laurent Tailhade , with whom he later corresponded in French.


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For the next seven months, he trained at Hare Hall Camp in Essex. He fell into a shell hole and suffered concussion; he was caught in the blast of a trench mortar shell and spent several days unconscious on an embankment lying amongst the remains of one of his fellow officers. Soon afterward, Owen was diagnosed as suffering from neurasthenia or shell shock and sent to Craiglockhart War Hospital in Edinburgh for treatment. It was while recuperating at Craiglockhart that he met fellow poet Siegfried Sassoon , an encounter that was to transform Owen's life.

Whilst at Craiglockhart he made friends in Edinburgh's artistic and literary circles, and did some teaching at the Tynecastle High School , in a poor area of the city. In November he was discharged from Craiglockhart, judged fit for light regimental duties.


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His 25th birthday was spent quietly at Ripon Cathedral , which is dedicated to his namesake, St. Wilfrid of Hexham. Owen returned in July , to active service in France, although he might have stayed on home-duty indefinitely. His decision to return was probably the result of Sassoon's being sent back to England, after being shot in the head in an apparent " friendly fire " incident, and put on sick-leave for the remaining duration of the war.

Owen saw it as his duty to add his voice to that of Sassoon, that the horrific realities of the war might continue to be told. Sassoon was violently opposed to the idea of Owen returning to the trenches, threatening to "stab [him] in the leg" if he tried it. Aware of his attitude, Owen did not inform him of his action until he was once again in France. At the very end of August , Owen returned to the front line — perhaps imitating Sassoon's example. On 1 October , Owen led units of the Second Manchesters to storm a number of enemy strong points near the village of Joncourt.

For his courage and leadership in the Joncourt action, he was awarded the Military Cross , an award he had always sought in order to justify himself as a war poet, but the award was not gazetted until 15 February On the company commander becoming a casualty, he assumed command and showed fine leadership and resisted a heavy counter-attack.

He personally manipulated a captured enemy machine gun from an isolated position and inflicted considerable losses on the enemy.

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Throughout he behaved most gallantly. Owen was killed in action on 4 November during the crossing of the Sambre—Oise Canal , exactly one week almost to the hour before the signing of the Armistice which ended the war, and was promoted to the rank of Lieutenant the day after his death. His mother received the telegram informing her of his death on Armistice Day , as the church bells in Shrewsbury were ringing out in celebration.

Owen is regarded by many as the greatest poet of the First World War, [21] known for his verse about the horrors of trench and gas warfare. He had been writing poetry for some years before the war, himself dating his poetic beginnings to a stay at Broxton by the Hill when he was ten years old. The poetry of William Butler Yeats was a significant influence for Owen, but Yeats did not reciprocate Owen's admiration, excluding him from The Oxford Book of Modern Verse , a decision Yeats later defended, saying Owen was "all blood, dirt, and sucked sugar stick" and "unworthy of the poet's corner of a country newspaper".

Yeats elaborated: "In all the great tragedies, tragedy is a joy to the man who dies If war is necessary in our time and place, it is best to forget its suffering as we do the discomfort of fever The Romantic poets Keats and Shelley influenced much of his early writing and poetry. His great friend, the poet Siegfried Sassoon, later had a profound effect on his poetic voice, and Owen's most famous poems "Dulce et Decorum est" and "Anthem for Doomed Youth" show direct results of Sassoon's influence.

Manuscript copies of the poems survive, annotated in Sassoon's handwriting. Owen's poetry would eventually be more widely acclaimed than that of his mentor. While his use of pararhyme with heavy reliance on assonance was innovative, he was not the only poet at the time to use these particular techniques. He was, however, one of the first to experiment with it extensively.

Anthem for Doomed Youth What passing-bells for these who die as cattle? Only the monstrous anger of the guns. Only the stuttering rifles' rapid rattle Can patter out their hasty orisons.

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No mockeries now for them; no prayers nor bells, Nor any voice of mourning save the choirs, — The shrill, demented choirs of wailing shells; And bugles calling for them from sad shires. What candles may be held to speed them all? Not in the hands of boys, but in their eyes Shall shine the holy glimmers of goodbyes. The pallor of girls' brows shall be their pall; Their flowers the tenderness of patient minds, And each slow dusk a drawing down of blinds.

His poetry itself underwent significant changes in As a part of his therapy at Craiglockhart, Owen's doctor, Arthur Brock, encouraged Owen to translate his experiences, specifically the experiences he relived in his dreams, into poetry. Sassoon, who was becoming influenced by Freudian psychoanalysis , aided him here, showing Owen through example what poetry could do. Sassoon's use of satire influenced Owen, who tried his hand at writing "in Sassoon's style".

Further, the content of Owen's verse was undeniably changed by his work with Sassoon.

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Sassoon's emphasis on realism and "writing from experience" was contrary to Owen's hitherto romantic-influenced style, as seen in his earlier sonnets. Owen was to take both Sassoon's gritty realism and his own romantic notions and create a poetic synthesis that was both potent and sympathetic, as summarised by his famous phrase "the pity of war". In this way, Owen's poetry is quite distinctive, and he is, by many, considered a greater poet than Sassoon.

Nonetheless, Sassoon contributed to Owen's popularity by his strong promotion of his poetry, both before and after Owen's death, and his editing was instrumental in the making of Owen as a poet. Owen's poems had the benefit of strong patronage, and it was a combination of Sassoon's influence, support from Edith Sitwell , and the preparation of a new and fuller edition of the poems in by Edmund Blunden that ensured his popularity, coupled with a revival of interest in his poetry in the s which plucked him out of a relatively exclusive readership into the public eye.